Great American Beer Festival Oregon Winners 2017
The Great American Beer Festival awards are some of the most coveted in the industry and Oregon continued to perform well in 2017. There are 96 style categories and the possibility of winning gold, silver or bronze in each. The following is a list of local recipients from this year’s competition, which were announced Oct. 7 in Denver:
BRONZE American-Style India Pale Ale: Breaskide Brewery & Taproom, Breakside IPA
SILVER American- or International-Style Pilsener: Full Sail Brewing Company, Sesion Cerveza
BRONZE American- or International-Style Pilsener: Elk Horn Brewery, Lemon Pils
GOLD American-Style Sour Ale: Flat Tail Brewing, DAM Wild Hops and Lemon Verbena
BRONZE American-Style Strong Pale Ale: Breakside Brewery + Beer Hall, Breakside Stay West
GOLD American-Style Wheat Beer: GoodLife Brewing Company, Sweet As Pacific Ale
GOLD American-Style Wheat Beer with Yeast: Sunriver Brewing Company, Fuzztail
SILVER Belgian-Style Fruit Beer: Logsdon Farmhouse Ales, ZuurPruim
BRONZE Brett Beer: Alesong Brewing & Blending, Touch of Brett Mosaic
SILVER Double Red Ale: ColdFire Brewing Company, St. James
BRONZE Fruited American-Style Sour Ale: Breakside Brewery & Taproom, Breakside Passionfruit Sour Ale
GOLD German-Style Pilsener: Zoiglhaus Brewing Company, Zoigl-Pils
GOLD Gluten-Free Beer: Ground Breaker Brewing, Dark Ale
GOLD Imperial Red Ale: Sunriver Brewing Company, Cinder Beast
BRONZE Rye Beer: Breakside Brewery, Breakside Rye Curious?
BRONZE Session Beer: Three Creeks Brewing Company, Stonefly Session Ale
GOLD Specialty Saison: Base Camp Brewing Company, Rye Saison
SMALL BREWING COMPANY AND SMALL BREWING COMPANY BREWER OF THE YEAR: Sunriver Brewing Company, Sunriver Brewing Team
North American Guild of Beer Writers Oregon Winners 2017
Brewers weren’t the only ones honored during the Great American Beer Festival in Denver. The North American Guild of Beer Writers recognized the best beer and brewing industry coverage in 11 categories, ranging from newspaper and magazine stories to podcasts. The following list is composed of Oregon award recipients:
FIRST PLACE Best Beer Book: Jeff Alworth, Secrets of Master Brewers
SECOND PLACE Best Beer Blog: Jeff Alworth, Beervana
THIRD PLACE Best Beer and Travel Writing: Brian Yaeger, Beer at the End of the World
SECOND PLACE Best Local Reporting: Andi Prewitt, Brewers Make Foray into New Areas of Fungi Kingdom
THIRD PLACE Best History Writing: Jeff Alworth, Bourbon County Brand Stout: The Original Bourbon-Barrel-Aged Beer
HONORABLE MENTION Best History Writing: Ezra Johnson-Greenough, An Oral History of the Horse Brass
SECOND PLACE Best Technical Writing: Brian Yaeger, Savoring Acidity: The Quest to Explain Sourness in Beer
By Tiah Edmunson-Morton
For the Oregon Beer Growler
Oregon native and environmental historian Dr. Peter Kopp recently returned to his home state to educate an audience about the history of a very special beer ingredient that’s the focus of his new book. “Hoptopia: A World of Agriculture and Beer in Oregon’s Willamette Valley” was the focus of the talk held at Oregon State University. Kopp’s research illustrates how the hop in Oregon offers a fascinating glimpse into the way our “sense of place” is reflected through the physical, cultural and social aspects of the industry.
While Dr. Kopp focuses heavily on the history of Willamette Valley and Pacific Northwest hop farming and culture, his book travels to ancient Sumer, visits the boom times for the hop industry along the East Coast and then delves into the years where the Willamette Valley was the hop center of the world. Also included is the birth of the Cascade variety at OSU in the early 1970s along with tales from present-day Beervana. Additionally, Kopp connects the broader global history of beer to local farmers, scientists and the magnificent hop.
His research draws heavily from local sources, so you’ll find that farmers, laborers, brewers, historians and scientists all have strong voices in this book. In addition to creating a thorough academic text on the global impact of this specialty crop, Kopp encourages his audience to become curious about where our food comes from. He suggests that "plants have incredible stories to tell, they just lack an easy way of telling them" and that "capturing these stories offer ways to rethink environment, agriculture, labor, business and science over time"
Kopp has written and presented extensively on projects related to agricultural and environmental history, and he often focuses more specifically on local history, culture and traditions. While he's taken a turn toward more coverage on horticulturalist Fabian Garcia and his work with chilies, another specialty crop that is closer to Kopp’s current home in New Mexico, much of his writing has related to hops and brewing in the Northwest. The stories of annual hop harvests, the local and global roots of the craft beer revolution and prohibition are all areas of interest to Kopp.
As the director of the Oregon Hops and Brewing Archives, I work with a wide range of researchers and scholars, advocate for accessible local history, collect oral histories and gather records that document the history of "fermentable liquids" in our region. I hope that Dr. Kopp's book will inspire you to get involved in saving and sharing our local history. It is a must-have for people curious about the rich regional history poured into their pint glass!
Want to get involved with saving local brewing history? Contact Tiah Edmunson-Morton at firstname.lastname@example.org or 541-737-7387.
Learn more about OHBA at scarc.library.oregonstate.edu/ohba.html and more about our collections at bit.ly/ohbaguide.
Read more about Dr. Kopp at thebrewstorian.tumblr.com/search/kopp.
By Kris McDowell
For the Oregon Beer Growler
The writer behind the recently published zine, A Feminist's Guide to Beer Drinking, is unsurprisingly, a girl (and yes, she's OK being a "girl"). She's also a certified Cicerone, coauthor of the book “Hop in the Saddle” and has her first solo book coming out this fall.
Before Lucy Burningham came to the beer mecca that is Portland, she was living in Utah, which has laws she diplomatically describes as "weird." Those used to the beer-favorable laws found here, however, might describe Utah’s limit of 4% ABV on beers sold at grocery stores and convenience stores “shockingly antiquated.” Moreover, so-called “high point beer” with an ABV above 4% is limited to bottles only, even at state liquor stores, breweries, bars and restaurants. Those laws have resulted in a general lack of craft beer (although that is slowly changing) and for Lucy, a lack of a palate for beer.
When she moved to Portland in 2005 to pursue a master's in creative nonfiction writing at Portland State University, she fell in love with the city after being wooed, in part, by its craft beer scene. While interviewing a beer sommelier for her first beer article she not only learned that beer could taste like bananas; Burningham was also impressed with the beer culture. People knew the brewers, they expressed a tremendous amount of pride for local beers and were passionate about their favorites. It's not hard to understand how she became hooked on Portland, on drinking craft beer and on writing about craft beer.
That first beer article turned out to be the start of a new point of interest and direction in her journalistic career. Lucy had written for years about food. In fact, the thesis for her master's was on Oregon truffles. But Portland's beer enticed her to explore her beer palate. Jumping into craft beer Portland-style, IPAs were her first love due to what she describes as their "bracing bitterness." Beyond being drawn in by the taste, her curiosity was piqued by the wide variety of color variations both within and across beer styles. All of this combined with her journalistic skills to produce pieces for well-known publications such as Bon Appetit, Men’s Journal, The New York Times and SAVEUR.
Out of her vast collection of writing, it was Lucy's first piece for The New York Times that she is most proud of. The article, “A Hop and a Sip to Fresh Ales,” was not only her first high-profile beer piece, but its research put her on a hop farm for the first time. At Sodbuster Farms in Salem, she was introduced to the excitement and incredible smells of the hop harvest. That, along with other beer experiences, opened her eyes to how much there was to explore, which she continued to do through writing. It also spurred her to pursue formal beer education and become a Certified Cicerone.
The Cicerone Certification Program offers three levels of certification with Certified Cicerone being the second, giving students a well-rounded education on beer as well as the skills needed to assess beer quality. Passing a comprehensive exam is necessary for certification and Lucy took the preparation to heart. She learned what it’s like to be a beer student — experiencing the intense pressure and feelings of being completely overwhelmed. Tough decisions arose, including times where she wasn’t sure whether she should just simply sip and enjoy a beer or continue to study in order to pass the exam. Her hard work and dedication paid off when she passed the exam and, as a bonus, she realized she had the content for her forthcoming book, “My Beer Year.”
Lucy Burningham writes about beer for well-known publications and has a new zine called A Feminist’s Guide to Beer Drinking. The journalist wanted to expand her experience with food writing by turning to beer after moving from Utah to Portland and falling love with the craft beer culture. Photo by Kris McDowell
While it will be a few months before her new book is available, her most recent work, A Feminist's Guide to Beer Drinking, is available in hard copy and online. Part of the Portland Zine series, it's one in a set of independently published booklets that reflects the progressive spirit and DIY ethos of the city. When Lucy was initially approached about the guide, she wasn’t sure she could pull it off. As she was brainstorming her approach, she started thinking about the women in the Oregon beer world and how they help to define it. Before she knew it, she was excited about what lay ahead.
With her proposal accepted, she interviewed a number of women, including Gayle Goschie of Goschie Farms, Miranda Kasten of Lady Brew Portland, Teri Fahrendorf of the Pink Boots Society and Whitney Burnside of 10 Barrel Brewing. She wanted the project to be part serious and part playful. It starts off serious, with a section on Gayle where she talks about her role in taking over a portion of the family hop-growing business and changing its focus to craft brewers to meet the changing times.
The playful tone becomes apparent as you move through the pages and find articles such as “How to Evaluate Beer Like a Lady *Or a Man *Or Fluid Gender of Preference.” There's also a guide for hosting a ladies' beer night that concludes with the instruction to "dream about your next ladies' beer night." In addition to Lucy's writing style, the zine's tone is assisted by illustrations from Deirdre Mahon and the layout, reminiscent of a scrapbook of favorite memories, pulls off the balance she was looking for.
The balance in the zine reflects a similar balance in Lucy's feelings about gender in craft beer. While acknowledging that gender can't be ignored and there are still biases and stereotypes, it's not something that she focuses on. Rather it's something that surfaces somewhat unconsciously — like when she finds herself at a beer event counting the number of men versus the number of women.
She's seen the number of women involved in craft beer increase in the last 10 years and takes the count as more of a quick observation than of something to dwell on. In her experience, she's generally found the beer community to be very welcoming, spurring her curiosity instead of discriminating against it. It's the occasional situation that catches her by surprise briefly. For instance, there was the time she was told by a guy that “you don’t look like a beer drinker,” which left her a bit bewildered. Much like the boy picking on girls on the playground, there's bound to be one who hasn't figured out that both guys and girls enjoy craft beer and can even enjoy craft beer together.
By Sam Wheeler
For the Oregon Beer Growler
The personal writings and records of the late Fred Eckhardt, Oregon’s iconic craft beer aficionado, will be open to researchers and the public by spring at the Oregon Hops and Brewing Archives.
Eckhardt is the godfather of American craft beer commentary. Through his writing and enthusiasm, the Pacific Northwest native popularized the culture of craft beer and helped nurture it into the flourishing multi-billion dollar industry it is today.
“There is something special about certain individuals within an industry, within a culture. I think he is unique in the documentation that he produced,” said Tiah Edmunson-Morton, archivist at Oregon State University’s Valley Library and curator for the Oregon Hops & Brewing Archives. “I don’t know if anybody can be like Fred Eckhardt.”
Eckhardt, who died August 10, 2015 of congestive heart failure inside his Portland home at the age of 89, was one of the most well-respected and beloved personalities of the craft beer industry — not only in Oregon, but around the country.
His 1969 publication “A Treatise on Lager Beers,” written a decade before homebrewing was legal in the United States, was an exceptionally well-researched analysis of the development of lagers in North America and homebrewing. It helped spark the homebrew movement in the U.S. and, arguably, the country’s craft beer industry. His second, and most popular book, “The Essentials of Beer Style,” was published in 1989. They are both quintessential pieces of literature surrounding the history and production of craft beer in the U.S. Eckhardt in 1992 also published “Sake (USA): The complete guide to American sake, sake breweries and homebrewed sake,” and wrote hundreds of columns and newsletters throughout his career spanning four decades.
Throughout his lifetime of work, Eckhardt accumulated unpublished drafts, notes, newspaper clippings, photographs, emails, periodical subscriptions and more; more than 30 boxes worth, said Edmunson-Morton. But he kept everything meticulously organized.
“He was an incredibly enthusiastic advocate, and you can tell he really, really believed in the importance of what was happening. You could tell he really took joy in it, and it was interesting to him, and he wanted to learn more, and more and more,” Edmunson-Morton said. “He wanted to write about what was happening, he wanted to support the brewers that were growing, he wanted to encourage the public to try new things. His way of doing that was just to write, to research and to experience it himself.”
Edmunson-Morton and a few others on staff at OSU’s Special Collections & Archives Research Center, which maintains OHBA, have been sifting through the Eckhardt collection since mid-December, she said.
“What I really appreciate, what comes out — there are those quirks that we all have — but what I think comes out to me is he was so incredibly dedicated to collecting the record of what was happening,” Edmunson-Morton said.
Sharing one quirk she uncovered in the process of archiving his collection — Eckhardt hated attachments inside emails. Edmunson-Morton knows this from reading over countless physical copies Eckhardt made of all his emails. Those containing attachments were promptly met with an “all caps” response demanding no further attachments be sent to him.
From those small personal quirks to well-written depictions of an industry over the course of more than 40 years, the Eckhardt collection is a one-of-a-kind account of the history of craft beer in the U.S. and a glimpse into the personal life of someone who helped shape it.
“I don’t know that we will ever get another collection that is like this. It’s possible that Ken Grossman’s papers or Charlie Papazian’s papers would be like this, but I don’t know,” Edmuson-Morton said.
She still has more than half of the material Eckhardt set aside for OHBA to sort through, and expects to acquire more of his personal photos and journal entries pre-dating his interest in craft beer.
Eckhardt grew up in Everett, Wash., coached swimming and diving and was a World War II and Korean War veteran, prior to settling in Portland with his life partner Jim Takita and becoming one of his country’s most prominent craft beer writers.
Aside from the incredible record Eckhardt’s personal papers provide about the development of the craft beer industry in the U.S., his longtime subscriptions to publications such as: Celebrator Beer News, All About Beer and Zymurgy helped fill in several of the missing issues within OHBA’s volumes, Edmunson-Morton said.
“I am excited to see how people use this collection. I am honored that we have it,” Edmunson-Morton said. “For me, the most daunting piece of it all is the level of responsibility. It feels very important. It’s really hard to not read every piece of paper.
By Andi Prewitt
Of the Oregon Beer Growler
Perhaps it comes as no surprise that Jacob Grier’s hobby is magic. He got hooked after watching a street performer at Disney World as a kid. With the aid of several magic kits, which he still has, Grier’s skills with cards and coins improved. He’s even mustered the courage to do tricks for the crowds during Portland’s Last Thursday celebrations with a friend who’s also a magician. And while he hasn’t had much time lately to entertain others with illusions, there’s some sleight of hand going on behind the bar anytime he’s slinging drinks.
Grier, who’s known for turning a bone into a drinking device while working at the now-shuttered Metrovino as well as founding Aquavit Week, now has a new project: bringing beer cocktails back to the masses. For those who’ve never tried or even heard of such a concoction, the holidays offer the perfect opportunity for an introduction to what is actually a type of mixed drink with a very long history. Grier’s first book, “Cocktails on Tap, The Art of Mixing Spirits and Beer,” came out this year and offers up dozens of recipes and intriguing backstories. Anyone looking to elevate the typical beer they might serve at a party this season is sure to find inspiration among the pages featuring step-by-step directions and beautifully photographed finished products.
The idea for the book began, appropriately, in a city that’s swimming in interesting cocktails and home of the Sazerac — New Orleans. While attending a conference there in 2008, Grier heard co-author of “The World Atlas of Beer,” Stephen Beaumont, speak about beer cocktails. He also conjured up a little something called the Green Devil, which Grier said is the first beer cocktail he ever really liked. Made of absinthe, gin and Duvel, the recipe is the first listed in the section of Grier’s book highlighting contemporary cocktails. Grier also credits Oregon beer writer Ezra Johnson-Greenough as another key contributor to the effort. The two met when the Oregon Bartenders Guild hosted a session on beer cocktails. Together, with the assistance of Yetta Vorobik of The Hop & Vine, they launched Brewing up Cocktails — a series of events that focus on beer as an ingredient in mixed drinks.
From pitch to publishing, the text took about three years to complete. And in case you were wondering — yes, Grier has made all of the drinks that are included. “Every recipe’s been tested at multiple times. And there were many that didn’t make the cut, especially in the hot chapter,” Grier said. “There were some really weird drinks that I subjected my friends to.”
One that he never really got to work was the Aleberry, a very old drink made with oatmeal and beer. The resulting thick, malty substance was never up to Grier’s standards to include in the book. However, initial failures weren’t always scrapped. For example, the posset, as Grier warns in the text, is quite strange and initially might sound rather off-putting. A combination of cream, ale, eggs, rum, sugar and nutmeg is warmed to thicken the cream. The liquid is then separated from the curds that traditionally would’ve been consumed along with the drink. In the book, Grier says the beverage portion of it is actually quite delightful, “with a richness comparable to eggnog.” And, of course, nobody will tell on you if you don’t eat the curds.
Researching recipes for the vintage chapter meant tracking down old bar books or finding online resources for those that have long been out of print. Ideas for modern drinks came from the network of bartenders Grier knowns across the country. Count yourself lucky (most of the time) if you were a part of his tasting panel. The very formal-sounding collection of palates consisted of friends who would gather for a weekly game night and provide feedback. Many were hits, but there were some that ended up down the drain. Almost all of the older recipes were altered or updated in some manner. Grier explained that the upgrade brewing technology was one factor that led to drink changes.
“I mean, definitely one of the differences is that beers are more consistent now and usually fully fermented, so you probably don’t have as much residual sugar as perhaps you once did. And you probably don’t need to add as much sugar to a drink to cover up defects as you might’ve used to. So it’s — one general difference is probably drinks are less sweet than they would’ve been made originally.”
Holiday guests might not only be impressed if you present beer cocktails at your party; you can also share the history of the drinks as colorfully outlined in Grier’s book. The flip, for instance, has a meaning that’s changed throughout the centuries. “Today, we think of flips as any cocktail with a whole egg shaken into it, usually served cold,” he said. “The original flip would’ve maybe not have had an egg and it would’ve been served hot. It would’ve been made with beer. So obviously a huge, basically a 100 percent change in definition over time from a hot beer drink to a cold egg drink.”
To heat the flip during Colonial times in America, a red hot iron poker was employed out of necessity, but it also added some dramatic flair. When the tool was thrust into the drink, the sudden temperature change caramelized the sugars. In case you don’t have a poker and fire handy, Grier provided an alternative that’s similar to the process of making a Spanish coffee. A glass is lined with sugar before lighting high-proof rum on fire. Hot beer is then poured on top of the flames.
Another interesting account in the text involves the Blow My Skull, which is featured in this month’s Brew Bites column. The drink came from the first-ever Australian cookbook in 1864. Grier said it also contained “dishes like fried emu brains and roasted wombat and other things. But the drinks are really good.” Blow My Skull was apparently a favorite of a Tasmanian governor, who had a reputation for drinking people under the table and would always toast, “No heel taps!” With some digging, Grier discovered that was slang for the liquid left in a shot glass if you didn’t finish it in one gulp.
Even if you never end up making a beer cocktail yourself, the one thing Grier would like readers to take away from his book is the versatility of the drink. “’Cause everybody thinks of, you know, just adding a shot to a beer or making micheladas,” he said. “And I actually outline seven different types of beer cocktails.” For the motivated party host who’d like to try out a beer cocktail this month, Grier recommends wassail, “which is the old hot beer or cider drink. So nothing could be more appropriate for a holiday party than the wassail.” Another option for a big group is the Abbey Street Rum. “It requires a bit more shopping, but it’s Irish whiskey, Irish stout, club soda, lemon juice, simple syrup, Jamaican rum, an allspice liqueur, and then nutmeg and lime for garnish. It’s a little more ambitious, but it’s got some really incredible flavors—especially with the allspice. It’s great for winter.”
Customers who miss Grier’s magic with drinks at Metrovino can occasionally catch him working at Multnomah Whiskey Library. But he’s got something new in the works. Grier said he’s helping open a new place in Portland, probably early next year.
“It’ll be different. But we can’t talk about it yet,” he laughs. “I’ll say beer drinkers will be excited.”
OBG Blog Archives
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